So, if you’re ready, scroll down to see the countdown.įeatured image: Helmut Newton via With these thoughts in our minds, we have decided to present to you ten most expensive pieces of the Helmut Newton photography ever sold in auctions. The 30kg Sumo became known as one of the most sought-after photography books, further asserting Helmut Newton as the “king of nudes” and the king of fashion photography. Furthermore, Sumo, a monograph published in 1999, the largest book of the 20th century, was sold in 10,000 copies for the astounding £6,000 each, and the first edition, signed by 80 celebrities photographed by Newton was later sold at an auction for $430,000. His works have been sold for quite the large sums of money, and owning an original Newton is considered prestigious in the art collector’s world. The Helmut Newton photography is nothing short of amazing, and the recent trends of the art market do prove it to be true. That is why it is no wonder that some of his most famous works are nudes, sometimes shocking, controversial, verging on pornography, but always utterly captivating and enchanting, offering something more than a naked body and a pretty face to the viewers. ![]() He saw their personalities, their inner desires, their unique sex appeal, their hearts, and souls. Helmut Newton saw women as human beings, not coat hangers or soulless subjects. And I like to have certain objects in my photos: electric plugs, wires, telephones, TV sets.” I also like the light that tends to exist in hotel rooms. She lives on the street, in a motor car, in a hotel room. ![]() A woman does not live in front of white paper. “It's that I don't like white paper backgrounds. He stayed away from the studios and was not a fan of white paper background and perfect lighting. This practice was hard for the models as the longer shutter speed required them to stay still for longer, but it proved to be especially fruitful for his career, resulting in captivating images that many fashion photographers tried to recreate. He found the link between the family of natural sources and the man-made methods of creating astounding imagery he perfected for years. The famous photographer did not need to use too much equipment to create, he despised artificial lighting, he loved photographing in difficult light conditions – especially at night – and always strived to get the best of the light source he had, whether it was the sun, the street lights, or any other for that matter, all except studio lighting. He has asserted them as the stronger sex and his passion and obsession with women led him to declare himself as a feminist. The Helmut Newton photography is women-oriented, it empowers them and gives them the highest spot in the society. When talking about the photographer of Helmut Newton’s caliber it is inevitable to mention his vast variety of photographic endeavors, from portraits, nudes, all the way to fashion photography, Newton is considered the reigning master of the snapshot world. Avedon’s ability to capture the personality of his subjects elevated this image from the fashion photos of his peers, who often presented their models as mannequins, thus blurring the line between commercial fashion photography and fine art.Helmut Newton photography is not easy to sum up, especially if we know that he did not only revolutionize but set up completely new rules of photographic style. An elitist world that began to change in the 1950s, as magazines began to favor girl-next-door looks over classic unattainable beauty, this editorial belonged in a transitional moment in fashion history.īy juxtaposing the strength of the elephants with the delicacy of Dovima’s body and gown- the first dress by Dior that was designed by Yves Saint Laurent- the picture also brings movement to a medium that had, until that point, been typified by stillness. ![]() Dovima was one of the most famous models in the world, and one of the last of an era that represented haute couture and classicism. Richard Avedon – Dovima with elephants, Paris, 1955īoth Dovima and Richard Avedon were prominent names in their respective industries, so when the two met in 1955 to create an editorial for Harper’s Bazaar, it was a union that would go down in the fashion history books.
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